n the "How it was shot" series, you will have the opportunity to visit the set backstage and see how it was captured. I will share what worked and what didn't.

It's an opportunity to monitor my workflow and ensure that creativity is always grounded in experience, experimentation, mistakes, and accidents that yield interesting results.

This time, I'm going to tell you how I shot Angelina.

Whenever I see fascinating art, I wonder what goes on in the creator’s mind.

I believed that by understanding how artists thought and lived, I could uncover the source of their genius.

In principle, I was going in the right direction, but behind the “genius” lay the author’s own vision.

In this material, I want to explore how having a strong personal vision shapes creative work and personal growth, making it one of our most valuable assets.

I don't want you to take this material as coaching or a request, as if I know exactly how to become successful and unique.

But what I can definitely promise you is that I will tell you what hindered me and what, on the contrary, helped me develop.

I think that you can’t “lose” your vision. You can not be aware of it.

Therefore, this material is not about “searching for style” but about how to collect your inner optics.

There are a lot of my personal experiences and tools here that help me create my stories, and I hope they will be really useful for you.

Material is in progress